Thursday, November 6, 2008
1. O mio Fernando from La Favorite by Donizetti. This is the most beastly thing I've ever sung, and by beastly I mean awesome. It has everything an aria needs. Drama and screaming high-notes abound it. I love it.
2. Orlofsky's Aria from Die Fledermaus. This is standard fare for me. I've been singing this aria since I first did the role in 2004, so much fun. Getting to play an eccentric Russian prince gives me the license to do fun and crazy things. I never get bored with this aria.
3. En vain pour eviter from Carmen. This has been my starter aria for the last couple years. It is my favorite of the Carmen arias because it seems to me to be the aria where she is most herself. In the Seguidilla and the Habanera she is totally working it. You know those girls who are totally different whenever there are men around? Carmen is one of them. It's great fun for me to sing this because it's so raw and honest and she's confronting her fate in a very defiant way. Opera doesn't get any better than this, in my humble opinion
4. Lucretia's Aria from The Rape of Lucretia. Had a great session on this this summer during my apprenticeship at Des Moines. Historically, this one has been tricky because I get too involved and when I cry I lose most of my chest voice (which is not good for this one). I've been focusing more on technique lately, and plan on singing this one with the music to avert this problem for now.
In case you're wondering what the owl has to do with this post; nothing. I just think it's super cute, and it lives with my friend Celia now. I may do a couple more for Christmas this year, although the cork elves (more soon...) do have my heart.
ALSO! Sock number 1 is finished! I'm not allowing any pictures until I at least cast on sock #2, lest I abandon them entirely and carry on through the winter with just one sock.